David Helfgott was born in Melbourne and grew up in Perth, Western Australia. In his teens he won the state final of the AUSTRALIAN BROADCASTING CORPORATION‘s INSTRUMENTAL & VOCAL COMPETITION on six seperate occasions and came to the attention of Barenboim, Katchen and Vasary. Isaac Stern was so impressed by his playing at age fourteen that he urged overseas study for the young prodigy. Five years later, at the ROYAL COLLEGE OF MUSIC he studied with Cyril Smith who likened him both technically and temperamentally to Horowitz. In 1970 illness over-took him and he returned to Perth and to a decade of obscurity. He emerged in the 1980’s, giving his first recital for twelve years in 1984 and has been in constant demand ever since, appearing both in Australia and Europe as a recitalist and concerto soloist. The great European pedagogue with whom David Helfgott took further studies in 1986 has said: I am reluctant to use the word “genius”, but I would make a great exception with David Helfgott. He is certainly one of the most exceptional pianists and musicians…
Since 1988 Helfgott has appeared in recitals, and made concerto appearances throughout Australia, in Germany in the BEETHOVEN HAUS in Bonn and FRANZ LISZT HAUS in Weimar, in the RIMSKY-KORSAKOV CONSERVATOIRE in Russia and in Copenhagen where the BERLINGSKE TIDENDE wrote of his August 1993 concert: Helfgott’s deep involvement, his ability…to explore musical ideas is reminiscent of Glenn Gould. However, his touch and sound quality is more in the family of the old masters, Horowitz and Arrau. It was not only piano playing of the highest level, it was also a musical confession of the most intimate sort and true art., and of his October 1993 concert: You might doubt whether it is the music, the playing or the phenomena that thrills the audience when David Helfgott gives a concert, but no one who was present at his concert…could be in doubt that there was reason to be thrilled again. Behind this very spontaneous and meticulous soul lies a fantastic pianistic ability that only few pianists in the world have ever reached.
1996 and 1997 saw the world-wide release of the multi-award winning feature film, SHINE, based on his life, produced by Jane Scott, and directed by EMMY AWARD winning, Scott Hicks, David Helfgott‘s portrayal by Geoffrey Rush winning him BEST ACTOR at the GOLDEN GLOBE AWARDS and at the ACADEMY AWARDS.
In 1997 Helfgott embarked on a global tour of appearances throughout North America, the UK, Europe, New Zealand, SE Asia and Japan and which included performances of the Rachmaninov CONCERTO NO.3 in London’s ROYAL ALBERT HALL, in the HOLLYWOOD BOWL, and in Denver with the COLORADO SYMPHONY ORCHESTRA and recitals in AVERY FISHER HALL at the LINCOLN CENTRE in New York, at the DOROTHY CHANDLER PAVILION in Los Angeles, at SYMPHONY HALL in Boston, at ROYAL FESTIVAL HALL in London, in Korea, Taiwan and Japan. The INQUIRER in Philadelphia wrote, He came. He played. He conquered.
During 1998 he appeared, playing Rachmaninov’s CONCERTO NO.3, with the STATE ORCHESTRA OF VICTORIA, the SYDNEY OPERA HOUSE ORCHESTRA and the WEST AUSTRALIAN SYMPHONY ORCHESTRA, and presented solo recitals in all the major, Australian cities and overseas, including South America and Hong Kong. He returned to the UK, Japan and Europe for performances which included the Rachmaninov CONCERTO NO.3 in Munich and Düsseldorf and, during 1999, with the WINNIPEG SYMPHONY ORCHESTRA. During 2000 he gave recitals at THE OLD VIC in London, in Israel and South America and during 2001 and 2003 he returned to tour Japan and gave concerts in South Africa. During 2004 he made his debut in Korea in concerts in Seoul and Pusan and 2006, in Denmark and Norway, Madrid and Bilbao in Spain and gave concerto performances in Zurich. In 2007 he returned to Denmark, Switzerland, Japan and Africa and during 2008 he embarked on a major series of solo performances throughout Italy which included a special command performance for the Mayor of Rome in the Piazzo Navona.
Helfgott continued his extensive touring program during 2009 appearing in solo recitals in Istanbul, Denmark, Switzerland, Estonia and Finland and as part of the G’DAY ISRAEL FESTIVAL in Tel Aviv and Jerusalem and presented a nineteen concert East Coast Australian recital tour for ANDREW McKINNON CONCERT PRESENTATIONS.
2010, 2011 and 2012 saw Helfgott return each year to Europe for recital performances in Budapest and Istanbul and for performances of the Rachmaninov PIANO CONCERTO NO3 including in Vienna’s iconic MUSIKVEREIN. Also during 2012 he returned to Sydney’s CITY RECITAL HALL, HAMER HALL in Melbourne and the QUEENSLAND PERFORMING ARTS CENTRE in Brisbane in the Rachmaninov concerto again presented by ANDREW McKINNON CONCERT PRESENTATIONS and, during 2013, embarked on his most extensive Australian recital series since the 1996-1997 tour immediately following the release of SHINE, in major venues including concerts at the MELBOURNE RECITAL CENTRE, the ADELAIDE FESTIVAL CENTRE, THE THEATRE ROYAL in Hobart and the PERTH CONCERT HALL, of which THE WEST AUSTRALIAN wrote of Bach’s ITALIAN CONCERTO, There’s not a missed note, each clothed in tone of the most appealing kind with passage-work a model of clarity and fluence. Crucially… stylistically convincing., and Beethoven’s APPASSIONATA SONATA, … It is the slow movement that is especially meaningful. It is deeply probing, the crown of the afternoon. And in the finale, which has been the graveyard of more than a few reputations, Helfgott is in complete command; it is an impressive, powerful offering.
During 2013 Helfgott also appeared in the Rachmaninov concerto with the LISZT FERENC CHAMBER ORCHESTRA in Budapest and 2014 included yet another extensive tour of Germany, Switzerland and Austria, concerts at the MOZARTSALLE in Vienna and the ZURICH TONHALLE and further concerts in Istanbul. He returned to the SYDNEY OPERA HOUSE to appear in the very rarely performed two-piano version of the Rachmaninov PIANO CONCERTO NO.3, performances he also gave, during 2015, at the MELBOURNE RECITAL CENTRE.
2015 included another major series of concerts in Istanbul, in Germany, Switzerland and Austria,Â and a return, for concerto appearances, to Budapest.
He presented further performances of the two-piano Rachmaninov PIANO CONCERTO NO.3 in New Zealand during 2016 and gave concerts in Vienna and Salzburg and returned, for a solo recital, to the SYDNEY OPERA HOUSE to officially mark the 20th anniversary of the release of SHINE.
He also appeared in recital for the HAWTHORN ARTS CENTRE in Melbourne, of which PERFORMING ARTSHUB wrote, …the fingers are as nimble as ever, the pauses exact and the interpretation magnificent. The energy he transmitted ran like electricity…
During 2017 Helfgott appeared for the MANDURAH PERFORMING ARTS CENTRE in Western Australia and returned to Europe for performances of the two-piano Rachmaninov PIANO CONCERTO NO.3 in Istanbul, and Ankara, at the MUSIKVEREIN in Vienna, the KULTURE UND KONGRESSZENTRUM in Lucerne, at BRIDGEWATER HALL in Manchester and at London’s BARBICAN HALL all with British-Australian pianist, Rhodri Clarke.
2018 and 2019 included a return, for solo recitals, to Sydney’s CITY RECITAL HALL and the MELBOURNE RECITAL CENTRE and further performances of the two-piano Rachmaninov PIANO CONCERTO NO.3 at the PERTH CONCERT HALL and, as part of a larger European tour, at LA SEINE MUSICALE in Paris, at the THEATRE DU LEMAN in Geneva, the TONHALLE in Zurich and again at Vienna’s MUSIKVEREIN. He also appeared in the Rachmaninov concerto with orchestra in Budapest and gave a solo recital in London’s CADOGAN HALL.
2020 included a sell-out performance of the two-piano Rachmaninov PIANO CONCERTO NO.3 at the MELBOURNE RECITAL HALL with Australian pianist from his recent Turkish duo concerts, Hoang Pham, this concert repeated in 2021.
Again postponed, 2021 plans originally also included recitals in Denmark and Austria including at the new ERL FESTIVAL HALL and a return to Turkey for a concerto appearance with the PRESIDENTIAL SYMPHONY ORCHESTRA in Ankara.
© Weaver Artist Management 2021